2013/06/07

VANGARDE the Tempo Theorie

 

The show of time…

After two years of planning, countless designs, prototypes, trials, tests and difficult decisions, Vangarde is proud to present its first watch: the Tempo Théorie, a limited edition with just eighty-eight numbered copies.

The original creative idea behind this design was to transform the conventional way of displaying the time, with the hand pointing on a layered scale, in a complex and poetic architectural display.

Telling time …

The Tempo Théorie draws you into a complex equation involving the relationship between energy (the mainspring) movement (rotation around an axis) and shape (visual composition of the hands).

The hour and minute hands overlap, intersect and are juxtaposed, while the sub-dial hands complete the kinetic design making the overall effect even more complex. All these combinations form a polymorphic structure that is like a moving work of art, set in motion by the mechanical energy of a spring. Its stunning visual effect sparks one's curiosity, while remaining perfectly easy to read.

With this first design, Vangarde wanted to create a watch that makes you want to keep looking again and again, going beyond a mere time-piece by allowing you to witness an artistic composition created by the passage of time.

Developing the hands was a long and difficult process, because what was required was not a static design, like ordinary hands, but a kinetic design which would take into account their rotational movement, so that they would align in the most evocative way possible through the hundreds of permutations created by the design.

The supeluminova was inserted inside of the hands in a different configuration to make it easier to distinguish between hours and minutes.

Measuring time …

Once the design of the hands was finally complete, the next challenging task was to create a worthy 'backdrop' for them.

A complex, asymmetric skeleton dial was designed to fit the background formed by the calibre V1 and the kinetic patterns produced by the hands.

The positioning of the sub-dials breaks up the typical chronograph layout to produce a more balanced appearance.

The development of the printed elements constituted a graphic design project in itself, with the subtle positioning of figures and text to produce a visually sublime overall effect.

The dials are laser cut, galvanised, then finished in black with white print.

Counting time ...

Housing the time…

And finally the whole is housed in a 316 L stainless steel case shaped from a solid piece, made up of a single casing with precision machined housing (no housing ring) with a bezel and a screwed base, both polished and fitted with O rings.

The sapphire crystals have been given state of the art anti-reflection treatment in order to minimise unwanted reflection.

The caseband has a brushed, satinised surface which contrasts beautifully with the crown and the push buttons which are polished and decorated in 'Clous de Paris' style.

The bracelet is made in France in the way traditionally associated with master leather craftsmen. Made from carefully selected Louisiana alligator skin, it is hand assembled and sewn, then fixed to the casing with stainless steel tubular fixings.

So that it can be easily and safely attached the closing mechanism consists of a butterfly buckle with two push buttons with brushed, polished finishes decorated in 'Clou de Paris' style.